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Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.- (C) Universal
About Steve Jobs
Artist : Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels, Sarah Snook, Katherine WaterstonAs : Steve Jobs, Joanna Hoffman, Steve Wozniak, John Sculley, Andrea Cunningham, Chrisann Brennan
Title : Steve Jobs Full Movie In English
Release date : 2015-10-09
Movie Code : 2080374
Duration : 122
Category : Biography, Drama
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Screen Of Steve Jobs
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Comment For Steve Jobs Film En Entier
Thanks to Fassbender's revelatory performance, Jobs comes across as a captivating monster, a dictator in a black turtleneck who is impossible to ignore.
Steve Jobs and all of the characters around him fail to come to life in any absorbing fashion. They're not real people; they're all hashtags.
The most fascinating aspect of listening to him talk comes not from what he says about what he did, but how he talks about it.
A redemptive fable at once artful, elegant, and clean. But by stripping out any and all complications, the movie denies itself the opportunity for nuance and puts a ceiling on its own ambition.
Feels like a series of beautifully and meticulously crafted tiles in a half-finished mosaic; you can admire the pieces but still come away feeling like you've been deprived of the whole.
Still, Steve Jobs doesn't dig much beyond the surface of the man in the title. Anyone who wants a fuller story, free from the heavy hand of Sorkin, should seek out Alex Gibney's documentary from earlier this year, Steve Jobs: The Man in the Machine.
In many ways the film reflects its hero's brilliance. It's a scintillating construction, though one that sometimes feels like a product launch in its own right.
Screenwriter Aaron Sorkin, who's written about America's Great Flawed Men with such fire and hyperarticulate pathos that he's threatened to become one himself, outdoes his work on The Social Network with an even sharper and more savage script.
A whirlwind tour through the computer age with a flawed human at its center.
Steve Jobs the man was complicated - and often infuriating to family, friends and colleagues at Apple Inc., the computer company he co-founded. Steve Jobs the film is also complicated - and consistently thrilling.
What's most difficult about Sorkin's intricate fantasy is not acknowledging Jobs' darkness, but setting aside all hope of seeing the real man who inspired it.
The movie, a formidable technical and design achievement, has everything going for it except a sense of Jobs' inner life.
It rings emotionally and dramatically false, too at variance with the actual outsized talents and flaws of this man as they've been obsessively catalogued elsewhere.
An enthralling performance by Michael Fassbender fuels this brilliant, infuriating and richly unconventional take on the life of an American visionary.
As scathingly played by Fassbender, Jobs looks almost as sleek and perfected as one of his computers.
The acting is unarguably, uniformly strong.
Like Jobs' own legendary "reality distortion field," his near-mystical ability to convince anyone of almost anything, the film lifts us past sheer realism to higher truth.
Racing in high gear from start to finish, Danny Boyle's electric direction temperamentally complements Sorkin's highly theatrical three-act study, which might one day be fascinating to experience in a staged setting.
A smart, hugely entertaining film that all but bristles with crackling creative energy.
Capably shot, well acted (notwithstanding Kate Winslet's shape-shifting accent), its score propulsive, if a little too insistent, it's a finely crafted piece of work. But as a film, I found it nearly insufferable.
Boyle films the proceedings on a slightly grainy stock that gives the movie just the hint of a documentary. There's propulsion and energy. He takes Sorkin's script and pumps it with amphetamines.
It's a tribute to the singular popularity of Steve Jobs that he's probably the only talking head people would pay to watch for more than an hour.
It's a high wire act that might leave some feeling left behind. Somehow, though, Boyle pulls it off not by backing off the speechifying but by leaning into it and allowing it to sing.
This is simultaneously Sorkin's most satisfying movie script and Boyle's most graceful work as a director.
I came away with the feeling that the filmmakers were practically implying that his early death at 56 was some kind of karmic payback.
The film feels so electric while you're watching, it's hard to believe that after two hours, it doesn't even get to the iPod, let alone the iPhone.
As original and risk-taking as its subject, "Steve Jobs" will make you think differently about an American icon.
The tension between Boyle's restless energy and Sorkin's tendency to run in place drives the movie.
This is a swift and searing attempt to pull back the curtain on Jobs and, in the process, investigate the relationship between the myth and the man.
Sorkin's relentless chatter starts to weigh on you: Steve Jobs feels artificial and conceptualized when it should be building to a crescendo.
The Full Sorkin Treatment has electrified a well-trod subject. But it also smothers it in artifice.
The acting is superb, no easy feat when trying to recite Sorkin's words while walking down seemingly endless hallways. Fassbender doesn't look a thing like Jobs and it doesn't matter a bit.
It is a formally audacious, intellectually energized entertainment, a powerful challenge to the lazy conventions of Hollywood storytelling and a feast for connoisseurs of contemporary screen acting.
As the title character, Michael Fassbender gets the SOB part down just fine, but there's little evidence of the personal magnetism that enabled Jobs to bend so many people to his will.
The dialogue crackles with wit, anger, and passion. By matching Sorkin's words with Boyle's style and Fassbender's talent, Steve Jobs has hit the trifecta.
It's all too neatly staged to make for dynamic cinema, even if the dialogue does crackle with a delicious nastiness.
Ultimately the docu shows Jobs, as always, ahead of his time.
It's just a static shot, the same angle, one guy talking. But what a guy.
The energy is relentless and the actors all more than meet the challenge of not only keeping up with Sorkin's trademark, rat-a-tat patter but also making it sing.
What raises Steve Jobs way above the level of most biopics is the totality of Fassbender's immersion into the character.
As sharp and slick as Steve Jobs is, it ends up feeling more interested in entertainment than enlightenment.
Steve Jobs is a fascinating study of a man, explaining who he was but never making a judgment about who he is. The movie lets audiences compute that for themselves.
It entertains and enlightens, and it's bang on in showing how great ideas are born not through compromise but through vision and determination.
Can you be a nice guy, and a great man? Steve Jobs is the case in point, and "Steve Jobs" says no.
Fassbender looks enough like Jobs that it's not distracting, and he finds a voice for the character.
It's a cliche to say that Apple changed the world, but how and why did that happen? "Steve Jobs" is robust and entertaining, but the answer it provides is incomplete.
Is "Steve Jobs" the final say on Steve Jobs? That's hard to say. But like its subject, it should remain relevant for years to come.
With such a tetchy, self-absorbed control freak at its center, it's difficult to explain just why "Steve Jobs" is as entertaining, even pleasurable, as it is.
Michael Fassbender will be in every best actor conversation from now until Oscar night (and deservedly so) for his mesmerizing turn as the legendary and legendarily difficult visionary Jobs.
Written, directed and acted to perfection, and so fresh and startling in conception and execution that it leaves you awed. Fassbender rips through the role of the volcanic Jobs. Is he really that good? Hell, yeah.
What Sorkin and Boyle have to offer is not a warts-and-all portrait but the suggestion that there is something heroic about a wart.
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